CD Review: “Take A Stand” by Justified Quartet

Happy New Year, friends!

My first Album Review of 2019 features one of my favorite quartets on the road today. Take A Stand  is the brand new recording from Michigan’s Justified Quartet. The groups lineup, comprised of Dave Potts on tenor, lead singer Carl Ledford, Mark Jacoby on baritone, and bass vocalist Tim Caldwell have been putting out some of the best recordings in Southern Gospel in the last 6 years, while building a fan base across the Wolverine State and other states in the Midwest.  Produced by respected Southern Gospel veteran Bob Caldwell (Kingdom Heirs, Brian Free & Assurance, Statesmen & Won By One), Take A Stand features a mix of great new songs and some familiar tunes that SG fans will recognize. 

The project kicks off with the title cut, “Take A Stand”, written by Daryl Williams and Scotty Inman. It took me a while to listen past this song. I love this song, and it definitely will be a tune Gospel Music radio will love. “ Next up is a new Dianne WIlkinson song, “Even So Come Lord Jesus“, which features Ledford on the verses. This is a great song, with a funky, groovy, soulful vibe and Carl sings it. Things slow down a bit for “Don’t Be Caught Dead Without Jesus“, which features Caldwell. Next up is another song that will be familiar to many fans, “We’ve Got Our Ways”. Originally recorded by Won By One, I always loved this song and am so glad Justified has brought it back. Things slow down a bit for the ballad, “It Should Have Rained“. The Kingsmen recorded this song a couple years ago on their acclaimed Battle Cry project, but Justified’s arrangement is markedly different, featuring the tenor rather than lead. Potts does a great job on this song. 

The second half of the project starts with a great song, “We’re In The Same Boat“, which features Jacoby on the verses. Written by Rebecca Peck, this is a really good song with a great lyric, that tells the listener they have nothing to fear when the Lord is in your boat. Next up is “Heaven Is The Place Where Dreams Come True“, which features some good four part harmony. “Can’t Wait To Hear The Sound“, is a great song about the rapture that features Ledford. The guys tackle another great song Won By One fans will remember, “It Took A Lamb”, which features Jacoby. An excellent song that paints The project comes to a close with a great ballad “I Still Cling To The Old Rugged Cross” which features Potts.

When we talk about the top quartets in Southern Gospel, we mention Triumphant, The Kingdom Heirs, Tribute and others. In this writers opinion, another name should be added to the list, Justified Quartet and you’ll hear the proof for yourself on Take A Stand. In an industry where multiple groups are produced by the same producers and everyone sounds alike, Justified stands out. Not only are they talented singers individually, but they have a blend that is second to none, coupled with superb song selection and innovative arrangements to boot. Producer Bob Caldwell is one of the best kept secrets in our genre, I would put his arranging and production talent on the same level as Wayne Haun or Jeff Collins. When you combine all of these elements, you have one of the finest quartets on the road today. If you’ve never heard Justified, this would be a great introduction. I guarantee you will love this project!

Take A Stand releases on January 20th, and if you’re in the Michigan area you won’t want to miss the group’s CD Release Concert that night in Flint, MI at Central Church of The Nazarene. To find out more details about the concert or learn more about Justified, visit their website or Facebook page.

Review copy provided. 


Album Review; “One Day In The Past” by Down East Boys

One Day In The Past is the latest project by The Down East Boys that releases on August 24th on Sonlite Records. Long time members lead singer/manager Ricky Carden and baritone Daryl Paschal are joined by two new members tenor Doug Pittman, formerly of the Dixie Melody Boys, and bass Zac Barham.

The project kicks off with a nice mid tempo number, “That Would Be Amazing”, that is a perfect opening number to start out the project and I’m sure would be a great to start a concert too. The pace picks up a bit “Somebody Is Me“, which features lead singer Ricky Carden. I first became familiar with this song when it was recorded by Master’s Voice and it was not my favorite. However, I really enjoyed the DEB’s arrangement and performance. Next up is another mid tempo tune,”I’d Like To Tell It Again“, featuring Pittman. This song was not my favorite, I just could not get into it due to a repetitive chorus and some over-singing on the second verse by Pittman.

Things slow down a bit with “Beat Up Bible“, which features Carden and is the first radio single from the project. Originally recorded by Country artists Little Big Town, the arrangement and performance of the song both translate very well. “Lord I Need You To Show Up” features Paschal and is one of my favorite songs on the project. It’s a great lyric, with the first verses recalling the account of Elijah and the Prophets of Baal on Mount Carmel and our present day need for God to show up in our lives in a mighty way. Another uptempo tune “Testimony Time” keeps things moving along. Written by  the great Sandy Knight, the song features Barham, Paschal, and Carden on the verses respectively and is another one of my favorites on the project.

Zac gets his feature on “Jesus Have Mercy On Me“. This great Joel Hemphill song (not Roger Horne as the liner notes mistakenly list) has long been a favorite of mine. The most well known cut of it was by George Younce and The Cathedrals on their Land Of Living project in 1987. Thankfully, unlike most bass singers in SG, Barham does not try to emulate Younce in his performance, but sings the song with his own style and interpretation, which I appreciated tremendously. I also enjoyed how the group changed up the harmonies on the second chorus opposed to the original. Every SG group needs to take notes, originality and infusing your own style on cover songs like this is very refreshing to the listener.

Next up is “Beautiful Shining Happy Golden Shore“, another song that I’ve heard several groups do, yet the DEB do a good job on this. Pittman steps forward to sing a ballad “The Blood Remains“. “Just What I Needed” is another up tempo and gives us the title of the project from a line in the second verse “he took care of my future one day in the past”. The project comes to a close with a cover of the group’s signature song “Beautiful Valley” which also features Pittman”

The Down East Boys have consistently been releasing great projects throughout the last decade and the trend continues on “One Day In The Past“. I’ve seen a couple 5 star reviews for this project and although it’s a good recording,  I was not as impressed with a few songs on this project as opposed to their last cd, Ransomed, which was exceptional. However, its a solid project that both long time listeners or new fans will enjoy.

My Rating: 4 out of 5 Stars

Favorite Cuts: That Would Be Amazing, Somebody Is Me,  Lord I Need You To Show Up, Jesus Have Mercy On Me, 

Review copy provided by Crossroads Music. 




Joint Album Review: “Ascending” by The Lefevre Quartet

Ascending is the latest recording by The Lefevre Quartet, Produced by Wayne HaunAscending is the group’s debut release with Daywind on their New Day Label. Anchored by the father and son Mike & Jordan Lefevre, the group has recently found stability on tenor and bass. Jeremy Peace has been with the group 3 years and Keith Plott a year and a half. I’ve asked my good friend Brandon Coomer of Coomer’s Cove to do a joint review with me, since we have both been eagerly awaiting the release of this project.


  1. I Have It All

Brian: This is a great song to kickoff the recording, the song has a really driving feel. Jordan is featured on the verses and right off the bat, the listener will hear the great blend these guys possess.

Brandon:   I agree about the placement of this as the opening song. This song grabs your attention from the start. It would also be a great song to open concerts with. I also enjoy the arrangement at the end of the song. They go into a chorus and some of the backing intruments fall out, letting the drums drive the track. I was expecting Keith to come in with some step out lines or repeats, but that didn’t happen. They finish the chorus, the key raises, Jeremy takes the lead on a final chorus, and then Keith gets the repeats I was expecting on the previous chorus. I got the bass lines I was wanting to hear, but not the typical way. I appreciated that.
  1. Revival

Brian: A great rockin, uptempo song featuring Jordan, this one became a favorite of mine. Not really a style of song that I would expect to hear from The Lefevres, but very well done. Another potential single.

Brandon:   Is it me or has “Revival” became a popular song title over the last several years?  Out of all the songs by that title, this one has become my favorite. I’m not surprised that this one is a favorite of Brian’s. This track has an almost Booth Brothers’ feel to it and I know he loves the Booth Brothers.

  1. A Rugged Old Cross

Brian: This is a great song and I wouldn’t be shocked if this is sent to radio. Jordan LeFevre is developing into one of the finest young lead singers in Southern Gospel. This could very well be a signature song for him.

Brandon:   Without question, this song is my favorite on the project. I love the lyric “A payment of love was given in blood on a rugged old cross.” This finishes an opening trifecta of songs featuring Jordan and he sounds awesome on each of them.

  1. I’ll See You At The House

Brian: Mike Lefevre has long been one of the fan favorites in Southern Gospel and always seems to have a knack for interpreting ballads and painting a great picture for the listener. This is a great Heaven song that fans will enjoy hearing Mike sing.

Brandon:   I can see this replacing “To Say Goodbye” in the group’s nightly set list, which Mike currently introduces with a story about his mother and her passing. As Brian mentions, Mike can paint a picture with a song, and he puts an extra emotional punch on this one.

   5. Sailing Away

Brian: One of, if not my absolute, favorite cuts; this one had me hitting the repeat button. It’s a great quartet song featuring Peace and some great harmonies on the chorus. Quartet lovers will dig this one.

Brandon:  From the kickoff to the end, this one has a modernized “Movin’ Up To Gloryland” feel to it.
  1. Sun’s Gonna Come Up

Brian: This is the first radio single, which features Jordan. Again, a departure stylistically from what the guys normally do and its fantastic.

Brandon:  Another great song featuring Jordan. This is a good choice for the radio single because it is very catchy and hangs with you after you hear it.

  1. Only Jesus

Brian: This one features Jeremy and it’s a great song lyricially and musically. The arrangement really lets Peace shows off his range on this one. You might hit repeat on this one as well.

Brandon:  Jeremy is my favorite tenor so naturally, I love this song.  For years, Jeremy’s features have been some of my favorite songs, and “Only Jesus” is right there with the best of them. There is a warmth to Jeremy’s vocal, especially in the opening verse, that fits this song beautifully.
  1. Silver and Gold

Brian: Bass singer Plott closes out the project with his lone feature and he does a great job on it. Keith is a great singer and a wonderful fit with the group. I really enjoyed this song.

Brandon:  Finally – a bass feature!  This is a fun song and Keith sound great. My only concern here is that the arrangement would fit in just as much on a solo project as on a quartet project.


Brandon: In all honesty, I’m not the biggest fan of producer/arranger Wayne Haun’s work. I find his work to sound too similar to his past work, no matter which artist he is working with. I was concerned when it was announced that he was working on this project, but I will admit that all of my concerns were misplaced. Yes, there might be a nod to other songs or arrangements, but even those sound fresh on Ascending.  And I’m going to give him a lot of the credit for the development Jordan LeFevre shows. With Jordan being featured on four of the eight songs, Ascending was going to sink or swim on his performance.  Jordan has never sounded better and this is a showcase of Jordan’s voice.
Ascending is an extraordinary recording, I only wish there was more of it. With only eight songs, there is no filler here and I wouldn’t want to replace any of the songs. I do wish they had been able to add another feature for Keith that showcased his blend with the quartet.  Still, Ascending is by far the best recording the LeFevre Quartet has ever made. This recording is an early front runner for the best project of 2018.


Brian: Aside from the fact that there’s only 8 songs on this project, I love this album. Ascending is the best album released so far in 2018. The Lefevre Quartet have hit a home run on this project; the song selection, arrangements, and the performances themselves are excellent. As Brandon said, no filler here. This is a 5 Star recording.

Ascending showcases a group that truly is ascending into the top tier of quartets in Southern Gospel This is undoubtedly their finest album so far and a must have for any Southern Gospel fan. If this lineup can stay together like Triumphant & Tribute, Ascending is only the beginning of the great things you can expect from The Lefevre Quartet.

Be sure to pick up your copy of Ascending when it releases on April 27th. 

Rating: 5 out of 5 Stars

Label: New Day Records

Producer; Wayne Haun

Release Date: April 27th


Gospel Music Legend Jim Hill Passes Away

Earlier this morning legendary Gospel Music singer & songwriter Jim Hill passed away. The news was announced by a friend of Hill’s, Dean Hickman of The Guardians. Born in Pourtsmouth, Ohio, Hill got his start in Gospel Music in 1945,  when he along with Harold Patrick and John Conley organized the Campmeeting Boys. Two years later in 1947, the group would add another member and change their name to The Golden Keys Quartet. Hill served the group as their tenor singer & manager.

While with The Golden Keys, Hill wrote that would go to become a classic. “What A Day That Will Be” was written in the early 1950’s and has been printed in millions of songbooks. It would go on to bless the hearts of generations of believers. In 1965, Hill left The Golden Keys to join a household name in Gospel Music, The Stamps Quartet. Hill remained with the group until 1968, and was a key member of the quartet during its transition of management to J.D. Sumner.

In 1968, Hill joined another one of Gospel Music’s top quartets, Hovie Lister & The Statesmen. However this time around, Hill would switch from singing tenor to lead. The Statesmen recorded some of their finest albums during Hill’s tenure with the group as Rosie Rozell & Sherill Nielsen both sang tenor with the group during those years.

In his later years, Hill was a fixture of the Bill Gaither Homecoming Series and was prominently featured on many of  the videos. He was also inducted in the Southern Gospel Music Association Hall of Fame in 2013. Jim Hill was not only an excellent songwriter, but a classicly trained vocalist. He had auditioned with several opera companies, but his passion was for Gospel Music and he made quite a mark on that industry. We offer our prayers and condolences to Hill’s family. Thank you Mr. Hill for a wonderful legacy that you left behind, your contributions to Gospel Music will never be forgotten.

Here are a few selections of videos featuring some of Hill’s finest singing.

One of my favorite Jim Hill songs that he wrote, “For God So Loved”, during his time with The Stamps.

Another one from his Stamps years, “The Homecoming Week”

One of my favorite songs from his time with The Statesmen, “God’s Not Dead”

A recent video of Hill onstage with The Guardians & The Booth Brothers, singing his signature song. “What A Day That Will Be”.

Happy New Year!

I would like to wish all my readers a Happy New Year! Its my prayer that 2018 will be a great one for you and that you’ll experience great blessings in the days to come. 2017 has been quite busy for me and 2018 looks to be quite the same. This summer, my wife and I found out that we are going to be parents for the first time! Our little girl, Charlotte Faye Fuson, is due to arrive in just less than 8 weeks and we are extremely excited. I’ve also been singing with a group here in Michigan, The Royalheirs. We’ve had a busy year, recording a new project and traveling throughout the state and we’re looking forward to doing more of the same this year. Check out our website and Facebook page to find out more about us!

I’ve got quite a few things in the works here at the blog and I’m looking forward to posting some more Album Reviews shortly and from time to time, chiming in with more commentary pieces. No matter what I post here, my goal is to be honest, fair, and balanced. So stay tuned and I hope you enjoy the posts.

God Bless,


CD Review: “Long Run” by The Old Paths

I’ve made no secret down through the years how big of a fan I am of The Old Paths. When the group called it quits back in 2015, I was extremely disappointed. So when I heard the announcement early this year that the group would return,  I was delighted. Founding members Tim Rackley & Douglas Roark are joined by bass Daniel Ashmore with tenor Steve Ladd joining the group. Long Run is Ladd’ s first recording with the group; it’s also the first Old Paths project to be produced by Jeff Collins.

The project kicks off with a nice quartet number, “Peace Is On The Way“, a nice uptempo number written by Dianne Wilkinson. Right off the bat, you can tell the blend is perfect with Steve and it sets the stage for what the listener can expect. Up next is the title cut, “In The Long Run“, which features Rackley. It has a country feel, and the guys do a nice job on it. Steve Ladd is featured on the third track, “Broken People Like Me“. This is one of my favorite songs on the project; it sounds like it was written especially for Steve and the guys sound fantastic on it. Ladd is the perfect tenor for the group and this song is all the proof needed. “Tangled In The Middle” was the first radio single from the project, and its a group song for the most part, with Daniel Ashmore featured on the third verse of the song. Rackley is featured again again on a great ballad, “At The Name of Jesus“, written by Rebecca & Logan Peck. This song is a fantastic anthem, that I hope will be sent out as a radio single. The project comes to a close with a great uptempo tune, “My Everyday Life“, featuring Ashmore, Rackley, and Ladd on the verses.

Although Long Run is an EP that only contains 6 songs, it sure does wet the appetite for more! There is so much potential for this group, they undoubtedly have an all star quartet that could accomplish alot. The blend is dynamite and the guys selected great songs for this project. With Ladd’s busy solo schedule, the group hasn’t done a whole lot of concerts this year and it’s not clear just how busy these guys will be.  It’s my hope that this is not a one off release and that we will hear more from The Old Paths. Be sure to pick up a copy of Long Run and see for yourself!


It’s Just My Opinion: My Thoughts On NQC 2018

This past weekend was quite controversial in the Southern Gospel Community as the schedule for the 2018 National Quartet Convention was released. As has been the case the last several years, fans scoured the schedule looking to see when/if their favorite artists were on the schedule for Southern Gospel Music’s Premeire Event. There were quite a few names missing, but none bigger than The Booth Brothers. Voted Trio of the Year for the past 10 years consecutively by readers of The Singing News, it came as quite the shock to many fans that their favorite artist would not be part of the schedule.

One post on Facebook concerning this topic received over 400 plus comments from fans, artists, and other industry leaders. Some expressed their disappointment, others voiced their frustration and accusations. As a fan I am a bit disappointed; the Booths are my favorite SG artists because musically they are unlike any current artists in our genre. However, things like this happen and seem to be happening more frequently in recent years. Other artists who will not be a part of NQC 2018 are The Collingsworth Family, Brian Free & Assurance, and The Browders to name a few.

I want to try and be as fair and impartial in this post as I possibly can so I want to present both sides of the issue. For the organizers of the NQC, it is impossible to generate a program that will please everyone. There will always be fans complaining about artists who are not on the program, its part of the territory that comes with organizing an event. One board member, Mark Trammell, weighed in on the situation saying “Real truth…. REAL truth…. They (Booth Brothers) were invited. Not once, but twice. Real truth… Undeniable truth…. If you don’t see an artist on the schedule, don’t assume its the fault of the “board.” It might be that the “artist” just isn’t interested in spending the extra time away from home. They may have “outgrown” certain events. Or at least they think they have.” Now the board invites the artist, but the artist may reject the invitation. Maybe its not advantageous to them financially, maybe they just would rather stay home or they already have been booked elsewhere. I’m not saying thats the situation here because I do not know but those are usually the reasons given.

But here’s what I do know, the groups who are getting featured the most at NQC happen to be the groups whose members are on the NQC Board of Directors (Greater Vision, Mark Trammell Quartet, Jim Brady Trio, Hoppers, Second Half Quartet). As a fan, when I see that the Booth Brothers are not on the main stage, but the Second Half Quartet has two slots, which is a secondary group with 3 members of Greater Vision and Trammell himself in the group, something doesn’t seem right to me. Certainly there are other artists who would benefit from time on the main stage (Master’s Voice, The Williamsons, just to name a few), yet the board has the authority to decide who goes on the main stage and they have made their decision.

As consumers, we all have the right to voice our opinions about a product. Whether good or bad, we live in a free country with and we have the right to voice our opinions freely. Except if you’re a Southern Gospel Music fan on social media. Many artists and their family members took to the defense of the board, basically sending the message “if you don’t like it, don’t buy a ticket and stay home.” Certainly they have the right to voice their opinion as well, but the bottom line is this. These events are only gonna stay around as long as the fans do.  No matter your opinion, alienating your fan base is never a good move. Politics always rears its ugly head and it ultimately never has a good result. For many fans, this is the first time they have witnessed the politics of the NQC Board on full display. Below is Trammell’s full post, which I believe is important to read in its entirety.

Real truth…. REAL truth…. They were invited. Not once, but twice. Real truth… Undeniable truth…. If you don’t see an artist on the schedule, don’t assume its the fault of the “board.” It might be that the “artist” just isn’t interested in spending the extra time away from home. They may have “outgrown” certain events. Or at least they think they have. Haters are gonna hate. I have been on both sides of this fence. Spent almost 44 years “paying my dues.” I sometimes get sick to my stomach hearing what some of you think you deserve. All the while, you don’t mind at all berating someone who has paid their dues and honored God to the best of their ability. Even some of you go to the exaggerated extent of acting like you know what you are talking about. And you don’t. NOT At all. I will defend to my grave the men and the process. They care FAR more than any of you would even be aware. I challenge any of you to sit in that room and watch as these men labor over what should be easy. All of this garbage is the core of the reason that the world no longer will even look toward a “Christian.” I even wonder if satan is anymore concerned about stopping us. All he needs to do is sit on the sidelines and watch us destroy each other. Such a sad day for me… Oh and by the way. I’m saying this as one of the “old timers.” I am in no way saying this on behalf of the NQC board of directors. They are Godly men and they certainly do not deserve this kind of garbage. I’ve never been ashamed to tell my Tax preparer that I’m a Gospel Singer. Please, Please don’t make me change my mind. Proverbs 17:10 thru 13. It would behoove ALL of us to spend our energy telling people that Jesus is coming and it will likely be soon.”

Although Trammell may claim he was “not saying this on behalf of the NQC board of directors”, he is a member of the board of directors and his statement is very telling of a/the board members attitude towards the fans, the ones who financially & physically support this event. This is not the first instance of an artist telling a fan, “If you don’t like it, don’t come.“, and it won’t be the last.  I agree that some comments were made in a negative, possibly hateful manner. Criticism that is not constructive is just complaining. However, if you are paying for a product you should not be shamed because you voiced your opinion/displeasure with the product. Will the board listen? Do they care about the fans opinions? Obviously they are hearing the negativity but they do not seem to be interested.

So this begs a question. As a fan, why should I continue to support an event where my opinion is not valued? There are so many other things that a person can do with their time instead of paying for traveling expenses, accommodations, meals, NQC event tickets, and product from their favorite artists. In fact, staying home and not attending (and now buying the webcast) could save families quite a bit of money. Perhaps, the board of directors should think about that as well. Regardless of who is or is not there, NQC will go on.

In my opinion, there is an understanding that must take place with both NQC and the fans. The Board/shareholders need to understand that their event’s existence is not guaranteed, fans do have a choice of where they can spend their money and they may choose not to support NQC in 2018 or beyond. Continuing down the current path of apathy towards public opinion is not wise. Not everyone is right, but someone might just be. For the fans however, they need to understand that the board runs the show. They’re gonna do what they want and if the fans really want their opinions taken seriously, they might need to take a year off to send a message to leadership. The board might have to change course if attendance drops dramatically. Change needs to happen and the sooner it doesn, the brighter the future for NQC. You don’t have to agree, It’s Just My Opinion.